Full Spiral

office building with window reflection and metallic streamers
Standing in HMH looking across the atrium at more HMH
If you had told me when I was getting a picture book manuscript critiqued at my first SCBWI conference back in 2001 that I would someday be:

  1. on the 6th floor of Houghton Mifflin Harcourt
  2. as a publisher, surrounded by my peers in the publishing arts
  3. listening to a panel that included a Candlewick Press book designer,

I would have said you needed tranquilizers. Yet last night, there I was in a place I would have killed to be 16 years earlier, just in a completely different role. And what a role I have now: Editor in Chief of Folded Word, exploring the world one voice at a time in little books that breathe. To come full spiral in a skyscraper on a blustery night in Boston after a week-long, tri-state book tour? Someone pinch me!

The panel was amazing, though I have to say I feel blessed that I don’t have to deal with large committees when getting cover and textblock designs approved. I couldn’t believe how many cover iterations some designers had to compose in order to get one that the editor, sales/PR/marketing, and the author could all agree on.

Even more amazing to a type-geek like me was the type-specimen book that Cate Barr (Cengage Learning) brought. Hearing how she used to manually trace letters out of the book to compose an initial cover design reminded me of my days on the high school newspaper, mitering the corners of lined tape with an Xacto knife to make boxes for insets. VERY thankful to be designing books in the age of Adobe’s InDesign!

Big love to Bookbuilders of Boston for binding together all New England presses, regardless of size or budget.

Advertisements